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The new Nobel laureate uses finely wrought forms to constrain a terrible excess of feeling.

Scott's decision to self-publish could be seen as a protest against her ex-husband's company--or as a sign of how profoundly it's altered the publishing landscape.

In chronicling the making of "Girls," Lena Dunham's memoir reveals the cost of moving from the freedom of independent filmmaking to the corporate demands of television.

The New Yorker presents the longlists for Young People's Literature, Translated Literature, Poetry, Nonfiction, and Fiction.