newyorker.com

From the daily newsletter: a look at the new season of "And Just Like That . . ." Plus: Susan B. Glasser on Elon Musk's exit; and are the best flour tortillas made in Kansas City?

The Senator, like Vice-President J. D. Vance, appears to be positioning himself as Trump's heir, a right-wing populist who can appeal to working-class voters in the MAGA base.

The musician talks with Amanda Petrusich about his two new albums of ambient music, and his book "What Art Does," a pocket-size argument for the value of feelings in our lives.

The "60 Minutes" correspondent is troubled by the loss of journalistic integrity that a settlement of the President's twenty-billion-dollar lawsuit would likely entail.

An analyst of the conflict argues that there is still a path to peace.

"That new Knicks player looks eerily like Ben Stiller, Timothée Chalamet, and Spike Lee in a trenchcoat."

Musk looks like the latest victim of a common Trump-era dynamic: the impossibility of sharing the President's spotlight.

The artist's sprawling survey at the Guggenheim reveals an intellect unfolding and a life under way.

Also: the skateboarding play "Bowl EP," the off-kilter divas Grace Jones and Janelle Monae; Jamie Lee Curtis's early "Love Letters," and more.

Garfunkel's singing partner: five letters.