theguardian.com / .theguardian-com-us-film

Weapons-grade zingers come thick and fast in this chamber piece about four plutocrats on a weekend in a lodge that goes awry when the planet descends into chaos ...

Reichardt's quietist, observational style is unexpectedly successful at creating a super-naturalistic depiction of an art gallery robbery ...

They used to tease the future. Now, the movie-maker's post-credits sequences are mostly cryptic cameos and empty gestures. Perhaps we just shouldn't bother ...

Teen mums are taught how to take care of their babies or prepare them for adoption amid drug addiction, mental illness and family conflict in this poignant, compassionate work of unforced social realism ...

With a breakout performance in Urchin, the actor has emerged from cult TV fame to the cusp of major stardom - a new 'post-alpha male' lead to join the ranks of Paul Mescal and Josh O'Connor ...

In a Cannes film festival where the greatest movies were about dictatorships and political cruelty, our chief critic shares his picks for the prix ...

After putting Cobra Kai to bed after six seasons, the actor is teaming up with Jackie Chan in Karate Kid: Legends ...

Harry Lighton's film Pillion is based on the novel Box Hill so, misgivings riding alongside, it felt right for the author to motorbike to the film festival for its premiere ...

After a surprisingly effective trilogy of horrors based on the RL Stine novels, a return to the throwback franchise is a frustratingly inert letdown ...

In Bi Gan's ambitious alternate reality, where humans can live indefinitely, a reincarnating dissident dreamer travels through history in different guises ...