Columbia Records saw Terry Riley's "In C," now rereleased for his ninetieth birthday, as a perfect anthem for the psychedelic Zeitgeist, but the mainstream couldn't contain the composer's utopian energies for long.
"Eat, Pray, Love" was a huge hit in part because readers imagined they could be like its author. Her new book, "All the Way to the River," shows how dubious that notion was.