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The team that was sent out to rescue Amelia Earhart would like to formally apologize for not recognizing her with bangs and thus leaving her stranded in the Pacific. Oops.

There were 22 films in competition for this year's Palme d'Or. Here's how they stack up.

Rapidly shifting reports on a possible agreement to end the war suggest that Trump may not know what he's doing--and may get far less than he wanted.

The poet joins Kevin Young to read and discuss "The Schoolroom on the Second Floor of the Knitting Mill," by Judy Page Heitzman, and her own poem "Mami at Her Vanity."

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Leo XIV's new encyclical, "Magnifica Humanitas," presents a remarkable case for placing moral concerns, and not profit, or competitive advantage, or efficiency, at the center of any discussion of artificial intelligence.

Everlane once embodied a hope that clothes could be mass-manufactured and high-quality. Now it's owned by the fast-fashion giant Shein. Kyle Chayka writes about the millennial life-style brands that have sold out--and what it says about contemporary ...

Matters of adolescent identity and child welfare loom compellingly large in new festival-premièred films from Marine Atlan, Jordan Firstman, and Cristian Mungiu.

The legendary jazz saxophonist, who collaborated with the likes of Miles Davis and Thelonious Monk, created a form that was thrillingly risky, impetuous, and uncertain. By the end of a six-plus-decade career, his name was synonymous with the art ...